The Dante Quartet has already made outstanding recordings of Stanford’s String Quartets. This is a worthy introduction to the music of a fine composer who surely deserves to be heard more often.

This beautifully produced SACD unites three disparate English works which are seldom heard in concert, and certainly not on the same programme.

This lacklustre trio of prosaic string pieces don’t happily co-exist together, especially under the grandiosely overblown title of this release. An odd mix of works by those well-regarded British composers, Elgar, Parry and Jacob, certainly make uneasy bedfellows…

The repertoire of the Vasari Singers under their indefatigable musical director, Jeremy Backhouse, has played a significant role in the commissioning and performance of a considerable quantity of contemporary sacred choral music.

I have heard it said that Sir George Dyson’s church music is the musical equivalent of the Conservative party at prayer.

It could be thought that some of this piano music, much of it written for young pianists was for nice, suburban middle class children to play on Sunday afternoons.

This brief miniature for cello and piano was written in the summer of 2019 as, in the words of the composer, a “love song” to the village of Blewbury in Oxfordshire where he lives.